View Points and Composition
View
Points
The
following pictures illustrate several different points of view, for
our purposes we want the object to be below eye leve.
Avoid
the top view - no horizon line is seen in this view. The objects appear
to be floating in space and are not anchored.
The viewer is still
too far above the object - still
no horizon line. The objects appear to be floating
Eye
level - look at the base of the objects - everything lines up - there
isn't much sense of depth . The horizon line is at the base of the object,
the viewer is too low.
The viewer
is looking at the object from below their eye level. Notice the base
of the objects and now the ones in back appear higher on the picture
plane. Notice also that the horizon line appears to have moved up in
the background.
Composition
Pooly
Composed:
The subject is seen from the correct view point, but the subject is
WAY too small for this picture plane. The negative space has a very
generic shape and the subejct becomes insignificant.
The
subject fills the picture plane - this is an example of a closed composition.
The negative space has taken on a shape of its own and is now a dynamic
part of the composition.
The
subject fills the picture plane and our eyes understand that there is
even more beyond the picture plane edges - this is an example of an
open composition. This composition feels off balance and slightly awkward.
Why is that?
All text and images are excerpted form Drawing: A
Contemporary Approcah b Claudia Betti and Teel Sale.